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Today is the debut of Bangkok is Ringing, a monthly podcast I’m producing for the online magazine Triple Canopy. Check it!


Image by Seth Denizen

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Everything Changing Real Soon

After March 28th of this year, Weird Vibrations migrates to Bangkok, Thailand. This trip is what the blog was created for, and what all the content so far has led up to. I’ll be there for one year, writing in this space as often as possible. Whether you came to WV through another sound site, or by accident, or because you know me, I hope you’ll keep checking in.

I can promise, at least, the following in return: erudite anthropological analysis, high-fidelity stereo sound recordings and concerned photographic documentation, political insight, what I’m pretty sure are actual dragons, danger-zone maps, nicknames like “Pizza” and “Dream,” sweat, rain, noise, the nexus of Buddhism and Bohemianism, and a brand of earnestness that can only be described as avant-garde.

Here is the deal:

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Max Neuhaus: Times Square, Time Piece Beacon
Lynne Cooke, Karen Kelly, and Barbara Schröder, editors
Dia Art Foundation, 2009
140 pps., $35 ($21.75 on Abe Books)

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Via the Sound Studies listserv, Billtron and I have started a collaborative bibliography for work in Sound Studies. Come check out the catalog, and add any books, articles, websites, sound recordings, or videos that you feel should be included.

Here are the instructions for signing up:

Step 1) Register at CiteULike.org, and sign up for the Sound Studies group.

Step 2) Install the bookmarklet – a little button that gets added to your browser, allowing you to add citations instantly.

Step 3) Find books and articles via Amazon, JSTOR, Project Muse, etc., and click the “post to CiteULike” button.

Step 4) In the window that pops up, add the tag “soundstudies” along with any other descriptive tags you feel like including. Make sure the box for “sound studies bibliography” is checked. Click “Post article.”

Step 5) Serve and enjoy.

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Journalist/critic Virginia Heffernan wrote a thoughtful summary essay in last weekend’s New York Times Magazine about the 2010 Academy Award nominees for best sound-design.

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This weekend, 644 competitors vied to become the 2010 crossword-solving champion. (I came in 338th, way ahead of Ken Burns.) As solvers finished each puzzle, they filed out to the lobby to discuss triumph and tragedy.

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Gossip: I have an artwork premiering at next month’s Ncounters conference at the University of Alberta.

The piece is titled “This is Sound,” and it is an 11-minute lecture/journey about the effects of sound on the human body. It was produced, loosely, in the style of NOVA.

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เดือนหน้าผมจะไปกรุงเทพฯเพื่อศึกษาวิจัยเกี่ยวกับเพลงและเสียง


แอโรบิคทางใต้สะพานลอย

สนใจในวิธีการที่เพลงและสถาปัตยกรรมที่พัฒนาร่วมกัน ยังสนใจว่าเสียงมีผลต่อผู้คนในเมือง

ถ้าคุณพูดภาษาไทยหรือถ้าคุณอาศัยอยู่ในกรุงเทพฯและสนใจในเสียงโปรดส่งผมอีเมล(datageneral@gmail.com)นะครับ เวลาผมอยู่ในกรุงเทพฯผมต้องการจะพบเพื่อนใหม่และเพื่อนร่วมงาน

เช่น
-คุณมีปัญหากับเสียงในกรุงเทพฯไหม?
-คุณมีนักดนตรีหรือไม่?
-คุณอาศัยอยู่ในเมืองนานและคุณอย่าลืมว่ามันใช้เสียง?
-คุณสนใจว่าเสียงถนนมีผลต่อชีวิตประจำวัน?

ขอบคุณครับ

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We hear many voices when we’re in public. But the logic between which ones we engage, ignore, or get frustrated by isn’t always apparent, even to ourselves.

One of the most perplexing examples is the cell phone conversation. To wit: if we’re sitting in front of two people on a bus, and they’re talking in a reasonable tone of voice, it’s very unlikely we’ll care at all. But if it’s only one person, and he’s talking at the same hypothetical volume on the phone, we might think bad thoughts about him, or have trouble concentrating. Why are we bothered by the latter and not the former?

We develop and adjust auditory filters throughout our lives. Our annoyance with overhearing cell phone chatter suggests that we’ve become accustomed to telephone conversations – however innocuous – being private. And so the sound of them in public space registers as a breach of etiquette, even if it’s no different in pitch, volume, or timbre than an old-fashioned, in-person conversation. This may change over time, perhaps after we’ve spent years and years confronted with the practice. For now, the memory of landline custom still obtains.

The following recording is a good example of this phenomenon, starring one of those much-despised Motorola walkie-talkies. As the F train went above ground during a snowstorm that had severely delayed train traffic, a man got a page (presaged by the famous tone) from a friend, and commenced telling him where he was, how long he expected to be there, and so on. There was a whole lot of eye-rolling on the busy car. The tones kept coming, and the voice of the man on the other end came through covered by a harsh, almost mean-sounding distortion. This mixed with the sound of train announcements which, as you might expect, were filtered into the normal bin.

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